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A high brow look at pop music foolery.

Kimbra Interview: “Vows”

After a year-long courtship with this Kiwi indie pop siren, isn’t it time we exchanged Vows?

This time last year the buzz about Kimbra and her quality breakthrough single ‘Settle Down’ sent the blogosphere and Australian music scene into a frenzy. You could literally feel light bulbs going off in the underground and hipster community when they saw the video or heard the slamming Penguin Prison remix. I remember clutching my pearls and thinking, ‘who is this chick with the quirky musical sensibilities of Nina Simone, Björk and Bertie Blackman - and why is she not already huge?’

Well, fast forward to present time and the 21-year old artiste is co-reigning on top of the ARIA charts with Gotye on one of the biggest selling Australian singles of the year: ‘Somebody That I Used To Know’. The sudden mainstream crossover couldn’t have come at a more opportune time as Kimbra herself was ready to unveal her debut album.

Vows is a breathtaking mix of experimental indie pop powered by an undercurrent of jazz influences, hip hop beats and a lush orchestral soundscape. The highlights will depend on your mood and preference for poetic indulgence but it’s safe to say she’s got her bases covered from sun-soaked Brunswick pop perfections in ‘Cameo Lover’ through to some bewitching moments like ‘Plain Gold Ring’.

Here Kimbra chats with me about the album, getting naked with Gotye and tentative plans to crack America next year. She walks me through Vows‘ extensive creative processes from experimenting in the studio with her asthma inhaler through to the album art direction and original illustrations created for each track. We also discuss her significant signing with Warner Bros. Music and how coming correct as a “package” helped her seal the deal.

Kimbra‘s interview first aired on JOY 94.9‘s Diff’rent Strokes with Jade and Dave. Y’all can read the full chat after the jump.

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X Factor Australia: Audition Episodes Five and Six

In the words of one legendary Minogue, “this is it”. We are done with them auditions. Honestly, if this phase were to drag on any longer I’mma shove someone’s face in a wall. Much like what Mel B tried to do with Ronan in that craftily edited footage of them playing backstage.

It has come to a point in the audition stage where I find myself growing weary of the familiar sentiments and becoming increasingly frustrated with the scarce displays of actual superstar talent. It took six audition episodes and countless montages for X Factor Australia to give me only five or so memorable acts that I can feasibly say is “live show worthy”.

The Richter-ripping shakedown during boot camp is going to be very satisfying for me. Y’all know there have been some iffy performers getting standing ovations and glowing reviews around here but it’s time to get real. I don’t believe this show is about making dreams happen at all. It’s foremost about making engaging family TV that’s spearheaded by music entertainment. So from this point on, I’m gonna pay less attention to life stories and focus more on who’s bringing it.

Before we hit the boot camp and judges house phases, let me remind you of our bet. I called the categories to be anointed as such: Mel B – groups, Ronan Keating – boys, Natalie Bassingthwaighte – girls, Guy Sebastian – over 25s. Please weigh in and may the best category guesser win! 

Let’s take a look at some highlights of the final auditions episodes:

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